LAPD Homicide Detective Claims that Suge & Diddy “Orchestrated” Biggie & TuPac’s Murders

WOW!!!! This is a pretty BOLD claim (if it’s true, then I have said it for years, PUFFY wouldn’t be who is today, if BIGGIE was still here), this was published on Monday (October 3, 2011) by LA Weekly.

A barrel-chested black man with a front tooth missing, relaxed yet instinctively cautious, is seated across from four spellbound cops in a glass-walled conference room at 8200 Wilshire Blvd.

This is not the first time a gangster has done business at this Beverly Hills office building. It once served as the bullet-riddled headquarters of the now-defunct Death Row Records, run by Bloods with a strict policy of never talking to cops. But for Duane “Keffe D” Keith Davis, a shot caller for the Southside Crips, it now happens to be his lawyer’s office. And on this surreal morning on Dec. 18, 2008, Keffe D is going to snitch.

Keffe D tells the cops he was offered $1 million to kill Death Row rapper Tupac Shakur and Suge Knight, the label’s former CEO. The informant tells his interrogators in plain language, albeit at a cool street clip, that Sean Combs — then known as Puff Daddy, the ringmaster of Bad Boy Entertainment, Death Row Records’ bitter cross-country rival — commissioned Shakur’s legendary murder in Vegas in September 1996. (Knight would survive that night’s shooting with a bullet wound to the head.)

Six months later, Bad Boy Entertainment rap star Christopher Wallace, best known as Biggie Smalls or Notorious B.I.G., was shot to death in L.A. In the decade and a half since the two most famous homicides in hip-hop history, police have made no arrests.

Now, in the pages of his potentially game-changing self-published book Murder Rap, set for release Oct. 4, former Los Angeles Police Department Detective Greg Kading reveals that LAPD has been sitting on extensive tapes and documents containing confessions from key players behind the alleged assassinations of Shakur and Smalls (Wallace). LAPD higher-ups pulled Kading off the double investigation right when he was poised to drive it home, he says. Then they shut it down completely. An LAPD spokesman insists in an email that the case is still “active/ongoing” but that no further information is available. If true, this means the LAPD has only in the past couple of months revived the probe.

Perhaps luckily for the rappers’ families and fans still seeking closure, Kading made copies of nearly every investigative report and taped confession before he left LAPD. His explosive book details the behind-the-scenes failure by LAPD to bring Shakur’s and Smalls’ killers to justice.

In a taped confession fully reviewed by L.A. Weekly, Keffe D says, “[Combs] took me downstairs and he’s like, ‘Man, I want to get rid of them dudes.’ … I was like, ‘We’ll wipe their ass out, quick. It’s nothing.’ … We wanted a million.” In another stunning confession, detailed in LAPD documents reviewed by the Weekly, the mother of one of Knight’s children, identified in Kading’s book as “Theresa Swann,” breaks down in tears, stating that the former Death Row boss gave her the money to pay Wardell “Poochie” Fouse — Knight’s close associate and a fellow member of the Mob Piru Bloods — to kill Smalls.

Keffe D is up against a wall at the time he fingers Combs for Shakur’s murder. The federal and local agents gathered around him at the conference table, including Kading, have spent the last year cornering him as the kingpin of a nationwide PCP ring, and Keffe D is looking at 25 years to life if he doesn’t reveal his secrets.

Sean Combs told the Weekly via email: “This story is pure fiction and completely ridiculous.” Suge Knight could not be reached.

In his confession, Keffe D takes the officers on a trip back to the night Shakur died. Keffe D places himself in the passenger seat of the old white Cadillac that famously pulled up, full of Crips, on the right side of the BMW carrying Shakur and Knight toward a club just off the Vegas Strip.

Sitting in the backseat of the Cadillac, according to Keffe D, was his own nephew, Orlando “Baby Lane” Anderson, who got his ass kicked in the MGM Grand lobby earlier in the evening by Shakur’s posse over a piece of Death Row bling that Baby Lane supposedly had stolen.

Keffe D tells Kading on tape that his nephew “leaned over, and Orlando [Baby Lane] rolled down the window and popped him [Shakur].” Later, he adds, “If they would’ve drove on my side [of the car] I would’ve popped him.”

Keffe D gave the FBI a different story in 1997, denying his nephew was involved. In his December 2008 confession, however, the tape indicates Keffe D will only be held immune from his admissions if none of his statements, including on Shakur’s murder, are shown to be false.

Kading tells him on tape: “Everything in this report has to be right on, because if down the road it’s determined that some of these details are incorrect, then everything’s off the table.” Keffe D responds, “Don’t bullshit me, and I won’t bullshit y’all.” (full story)

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Diddy Announces CIROC Name Change

This DUDE and name changes LOL…so it’s went from “Classic Ultra Supreme” to “Blue Dot”

Cash Kings: Hip Hop’s Top Earners

Forbes reports — This week Jay-Z and Kanye West unveiled their long-awaited collaboration, Watch the Throne. The album’s timing and title couldn’t have been more appropriate—the Empire State of Mind rapper is hip-hop’s top earner with $37 million in the past 12 months, claiming his fourth Cash Kings crown in five years; his partner-in-rhyme ranked third.

Fueled by the tail end of his Blueprint 3 Tour and a vast portfolio of business interests, Jay-Z barely edged second-ranked Diddy—who raked in $35 million, roughly half of that total coming from a lucrative partnership with Diageo’s Ciroc vodka—but handily topped West, who earned $16 million. The duo is steaming ahead with plans for co-headlining tour starting this fall.

“Jay-Z and Kanye are hip-hop ambassadors,” says Steve Stoute, chief of branding firm Translation and author of The Tanning of America. “They bring the art form around the world, and they’ve taken production and everything to the next level. Now they’ve got a chance to grow with their global audience.”

The Watch The Throne rappers, whose album debuted around the world exclusively on Apple’s iTunes, aren’t the only ones making millions by going global. Fresh off a eight-month jail stint, Lil Wayne released a new album and performed a slew of shows from Buffalo to Vancouver, netting $15 million over the past year. That sum tied him with his mentor and label boss, Cash Money Records co-founder Birdman, for the fourth spot.

“If we ain’t number one now, we’ll be there soon,” said Birdman while discussing his billion dollar dreams with FORBES. Farther down the list, Swizz Beatz also looked to the future: “I will be #1 next year,” he wrote in an email. Wiz Khalifa—whose high earnings landed him at No. 11—seemed pleasantly surprised to learn he’d be making his Cash Kings debut. “I’m one of them?” he exclaimed. “That’s what’s up!”

The success of hip-hop’s top earners shows just how powerful the genre has become as a commercial force. The top 20 on our list combined to earn $271 million; 13 different artists earned $10 million or more, taking home cash from live shows, recorded music, endorsements and a wide range of other entrepreneurial ventures. The top five combined to earn $118 million in 12 months.

Next on the list is a troika of grizzled veterans—Dr. Dre, Snoop Dogg and Eminem—all tied for the sixth spot at $14 million. Dre’s income got a big boost from Beats by Dre, his lucrative headphone venture with Interscope chief Jimmy Iovine; Snoop cashed in on touring and endorsements from Pepsi Max, Metro PCS and others; Eminem continued to earn from his Grammy-winning album, Recovery, as well as a handful of lucrative concerts with Jay-Z at Yankee Stadium in New York and Comerica Park in Detroit.

“There are four hip-hop artists that sell hard tickets: Eminem, Jay-Z, Kanye and Lil Wayne,” says Randy Phillips, chief of concert promoter AEG. “Those are the big four. In the past, it hasn’t really been a live medium … Is it changing? When you look at the business Jay and Eminem did in Yankee Stadium, I think it is.”

Touring was one of the many revenue streams we looked at to come up with the Cash Kings list, which charts pretax earnings for all living artists whose work is primarily classified as hip-hop or rap. The estimates also include income from record sales, digital downloads, films, merchandise sales, endorsements, books and other ventures; management, agent and attorney fees are not deducted. Earnings are calculated for the period from May 2010 to May 2011 and based on data from Pollstar, Nielsen SoundScan, the RIAA and individual record labels, as well as interviews with numerous lawyers, media buyers, managers and many of the artists themselves.

This year’s list features plenty of newcomers. Besides the aforementioned Wiz Khalifa, there’s Nicki Minaj, who debuts at No. 15 with $6.5 million—making her the first female rapper ever to grace the list. Another, Atlanta-based rapper-singer-songwriter B.o.B, squeaked on with $5 million. Sandwiched between Minaj and B.o.B is an additional newbie, Pitbull, who released two albums, performed 50-plus shows and inked a seven-figure endorsement deal with Kodak.

“Pitbull is great with brands,” says Adam Kluger, chief of brand partnership firm The Kluger Agency. “Endorsements with hip-hop artists work because hip-hop artists typically set the most trends … It’s every brand’s goal to be seen in the mainstream, and hip-hop music has become mainstream music.”

$37 Million

$35 Million

$16 Million

$15 Million

$15 Million

$14 Million

$14 Million

$14 Million

$13 Million

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